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The War of Art-Steven Pressfield

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Think of The War of Art as tough love... for yourself.Since 2002, The War of Art has inspired people around the world to defeat "Resistance"; to recognize and knock down dream-blocking barriers and to silence the naysayers within us.Resistance kicks everyone's butt, and the desire to defeat it is equally as universal. The War of Art identifies the enemy that every one of us must face, outlines a battle plan to conquer this internal foe, then pinpoints just how to achieve the greatest success.Though it was written for writers, it has been embraced by business entrepreneurs, actors, dancers, painters, photographers, filmmakers, military service members and thousands of others around the world."As I closed The War of Art, I felt a surge of positive calm. I now know I can win this war. And if I can win, so can you." - From the foreword by Robert McKee, screenwriting guru"[The War of Art] aims to help readers channel creative energy, unlock potential and overcome the fears that stop us from reaching our fullest potential. With courage, following the right formula and working hard, the book proposes that passion can be turned into purpose." - Ellen Degeneres book pick"Resistance is the voice in the back of our head telling us to back off, be careful, go slow, compromise. . . . [Steve Pressfield is] the godfather of the resistance, the five-star general in the war against fear." - Seth Godin"A vital gem . . . a kick in the ass." - Esquire"I've never read a self help book that wasn't fatuous, obvious and unhelpful. Until The War of Art. It's amazingly cogent and smart on the psychology of creation. If I ever teach a writing course this would be one of the first books I'd assign, along with the letters of Flannery O'Connor." - Jay McInerney, author of Bright Lights, Big City and Brightness Falls"Yes, The War of Art is hell. But Steven Pressfield is our Clausewitz who shows how you too can battle against The Four Horsemen of The Apologetic: sloth, inertia, rationalization and procrastination. Shakespeare, Rembrandt and Beethoven all are proof of what you can do with talent and General Pressfield." - Frank Deford, author and NPR commentator"A marvelous help for anybody who has ever encountered the resistance of a blank page, an empty canvas or an unyielding musical scale." - Stan Berenstein, co-creator of The Berenstein BearsSteven Pressfield is the author of the novels The Legend of Bagger Vance (made into the movie starring Matt Damon and Will Smith), Gates of Fire, Tides of War, Last of the Amazons, Virtues of War, The Afghan Campaign, Killing Rommel, and The Profession. His nonfiction includes The War of Art, The Warrior Ethos, and the upcoming Turning Pro. His books are included in the curriculum at West Point and the Naval Academy, and are on the Commandant's Reading List for the Marine Corps. In 2012, Pressfield will launch his independent publishing company, BLACK IRISH BOOKS with his longtime editor, agent, publisher, and friend, Shawn Coyne.

Book The War of Art Review :



Here is this book in a nutshell: what do you want to do? Have discipline and do it. I just saved you ten dollars. You're welcome.
TLDR: This book is written as a motivational text. It tries to make a rousing argument, but is undercut by some ludicrous and unsupportable conjecture. It will resonate with some people and turn others off. Read on for a more detailed explanation.The books is, roughly, divided into three sections: Resistance, Combating Resistance, and Beyond Resistance.The first section was actually really good. It mostly got into what Resistance is - the counterforce to achievement - and the various ways it manifests itself. While not based on any sort of evidence or research, this section lays out an allegorical enemy worthy of an epic struggle.The second section is mostly about how a professional behaves and how this behavior can overcome Resistance. The summary of this section is: show up, do the work, don't get distracted. This was the most prescriptive section of the book, but I'd say it leaned more towards inspiration than prescription. If someone complains that this book is "just common sense", it is probably this section they are referring to.Emboldened by a couple solid sections, the author goes completely off the rails in the third. The book becomes very religious, espouses lousy pop psychology, and makes outlandish claims. If I were to sum this section up, I'd say the author puts forth the idea that the artist is a conduit for some sort of divine inspiration or work, made manifest through the benevolent intervention of angels. That might be slightly harsh summary, but not too far off the mark. He literally says "We were put here on earth to act as agents of the Infinite" and "The artist is the servant of that intention, those angels, that Muse." Okay, perhaps he's just being allegorical. Nope. When talking about the fruits of our labor, he says "That is to do the work and give it to Him. Do it as an offering to God." I'm not against a religious message, but it wasn't what I was expecting. I felt like the author was trying to proselytize me.Putting the religious aspects of section 3 aside, the rest of it is the worst kind of shoot-from-the-hip psychology. He does a deep dive into the Ego - ignoring the conventional definition and redefines it for his own purposes. He tries to draw a distinction between a hierarchical and territorial mode of thinking - unsuccessfully. He makes outlandish claims, like ignoring the authentic self may be the cause of cancer and embracing the self might be its cure. He, literally, says that becoming your authentic self could cure cancer. This is advice that could kill someone. He goes on to explain how the colloquialisms for inebriation - stoned, smashed, hammered - are all referring to the destruction of the Ego in order to access the Self. There's no etymological basis for his statement. There isn't even any anecdotal evidence to support this. When speaking about the relationship between a mother and her child, he says "She knows it came out of her but not from her, through her but not of her." It's an interesting thought, but biologically incorrect. Lastly, he makes claims that are openly contrary. He says "Union and mutual assistance are the imperatives of life", but a few pages later says it would be incorrect to call friends for reassurance if you were feeling anxious. To me, this section felt like a mess and it ruined the book for me.In summary, this book is a snapshot of a specific artist's mental model of the creative struggle. I makes claims and gives advice that is unsupportable, incorrect, and sometimes contradictory. If you are reading this with a critical or skeptical eye, then you are unlikely to enjoy it. I really think that for this book to speak to you, you need to accept it at face value - almost as a scripture or gospel.

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